Abhören | LIPINSKI 707 A + AUDREAL XA 8800 MNE (2 MONO AMPS) | |
YAMAHA NS-10 M + BRYSTON STEREO AMPLIFIER | ||
JBL 4206 + YAMAHA AX-550 | ||
Mixer | ADT 5 MT, 32/24/24/2 | |
Harddisc-Recording | PRO TOOLS 24 MIXplus | |
APOGEE Rosetta AD, 24 bit (2 CH.) | ||
2 | DIGIDESIGN 888 I/O, 24 bit (8 CH.) | |
DIGIDESIGN 882 I/O, 16 bit (8 CH.) | ||
Bandmaschine | SONY MCI, 2-Zoll, 24 Spur | |
Effektgeräte | DBX 120 XP SUBHARMONIC SYNTHESIZER | |
LEXICON PCM 70 | ||
LEXICON Primetime Digital Delay | ||
ROLAND SRV 2000 Reverb | ||
YAMAHA SPX 90 | ||
Preamp / EQ | 2 | AMEK 9098 4-Band-EQ und Mic-/Line-Preamp |
BECKER AUDIO TA 21 (Stereo) | ||
M-1 | ||
8 | NEVE | |
PULTEC EQP-IS | ||
TUBE-TECH Microphone Preamp MP 1 A | ||
TUBE-TECH PE 1 A | ||
Compr. / Limiter | DBX 160 XT | |
DBX 160 | ||
EMPIRICAL LABS EL-8 DISTRESSOR | ||
SSL SOLID STAGE LOGIC FX 384, Stereo | ||
TELETRONIX LA-2A | ||
TUBE-TECH CL1B | ||
2 | UREI LA4 | |
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Mikrofone | 2 | AKG C-414 |
2 | AKG C-414 B-ULS | |
AKG D-112 | ||
BEHRINGER XM1800S | ||
BEYER DYNAMIC MC 740 N | ||
BEYER DYNAMIC M 500 N | ||
ELECTRO VOICE PL-80 | ||
ELECTRO VOICE RE-20 | ||
ELECTRO VOICE RE-27 N/D | ||
NEUMANN KM 184 | ||
NEUMANN U 87 | ||
3 | SENNHEISER MD 421 | |
2 | SENNHEISER MD 441 | |
4 | SHURE SM 57 | |
2 | SHURE SM 58 | |
SHURE SM 7 B | ||
2 | TELEFUNKEN MD 421 | |
Kopfhörer-Verstärker | 2 | BECKER AUDIO (2 CH.) |
BEHRINGER HA8000 V2 (8 CH.) | ||
... | ||
Kopfhörer | 2 | AKG K-240 |
5 | BEYER DYNAMIC DT 100 | |
Flügel | C. BECHSTEIN | |
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Keyboards | OBERHEIM MATRIX - 6 R | |
OBERHEIM OB 8 | ||
ROLAND D 50 | ||
ROLAND JV 1080 | ||
WURLITZER PIANO | ||
YAMAHA Electronic Piano P-80 | ||
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Gitarren-Amp | MESA BOOGIE | |
Gitarren-Box | MESA BOOGIE | |
Gitarren-Box | ACOUSTIC (JBL) | |
Bass-Amp | MARK BASS LITTLE MARK TUBE + | |
Bass-Box | HARDKE 410 B XL | |
Keyboard-Amp | ..... | |
Gesangsanlage | BEHRINGER EUROPORT | |
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Percussion | Congas + diverse Percussion |